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journal Articles
2024:
“Tokyo Sanitation: Wim Wenders' PERFECT DAYS and the Discourse of Public Cleanliness in Japan” —
Mediapolis: A Journal of Cities and Culture
2022:
"Le cinéma japonais indīzu et la fabrique néolibérale de l’auteur et de l’autrice : l’exemple de MOOSIC LAB"—Ebisu. Études japonaises
(French-translated by Amira Zegrour)
"Keyword: Independent | Independent as Affect: A Discussion of the Negotiation Scene in Bing’ai"—
Chinese Independent Cinema Observer issue No.3(Chinese-English translated by Michelle DEETER)
2021:
"Observing the Individual and the World From Collision and Contemplation—Watching Ji Dan's Spiral Staircase of Harbin and When the Bough Breaks"—
Chinese Independent Cinema Observer issue No.1(Chinese)
Interviews
2023:
"An Interview with Wang Bo"
—Directube (Chinese)
2022:
"An Interview with Miyake Sho"
—DEEPFOCUS (Chinese-coauthored w Ho Nam, Jenny)
2021:
"An Interview with Kawase Naomi"
—Southern Weekly (Chinese-coauthored w Ma Ran)
"An Interview with Ichiyama Shozo"
—DEEPFOCUS (Chinese-coauthored w Ma Ran)
2020:
"TIFF: An Interview with Fukada Koji"
—DEEPFOCUS (Chinese-coauthored w 2-3)
"An Interview with Oda Kaori"
—DEEPFOCUS (Chinese-coauthored w Ma Ran)
"Chinese-Japanese Women's Film Exhibition: An Interview with Lu Ruiqi"
—DEEPFOCUS (Chinese-coauthored w Shen Nian)
"Chinese-Japanese Women's Film Exhibition: An Interview with Abe Harika"—DEEPFOCUS (Chinese-coauthored w Shen Nian)
"Chinese-Japanese Women's Film Exhibition: An Interview with Kaneko Yurina"—DEEPFOCUS (Chinese）
2019:
"YIDFF: An Interview with Zhang Mengqi"—DEEPFOCUS (Chinese-coauthored w Song Yuancheng&Shen Nian）
Festival reports
2023:
"2023 Yamagata International Film Festival"—DEEPFOCUS (Chinese)
2022:
"2022 Busan International Film Festival"—DEEPFOCUS (Chinese-coauthored w 2-3)
2021:
"2021 Yamagata International Documentary Film Festival"—DEEPFOCUS (Chinese-coauthored w 2-3)
"2021 Osaka Asian Film Festival"—DEEPFOCUS (Chinese-coauthored w 2-3)
2020:
"2020 Tokyo FILMeX International Film Festival"—DEEPFOCUS (Chinese-coauthored w 2-3)
2019:
"2019 Tokyo FILMeX International Film Festival"—DEEPFOCUS (Chinese-coauthored w Shen Nian)
"2019 Yamagata International Documentary Film Festival"—DEEPFOCUS (Chinese-coauthored w Song Yuancheng)
FILM Reviews
2023:
"The Useless Choices for Ethical Seeing: On Miyazaki Hayao’s The Boy and the Heron"—DEEPFOCUS (Chinese)
2022:
"Adachi Masao's Revolution+1"
—DEEPFOCUS (Chinese)
"Wakaliwood Cinema"—ARTFORUM (Chinese)
2021:
"The Omniscient Spy and the Blind Wife: The Gender Politics in Kurosawa Kiyoshi's Wife of a Spy"—DEEPFOCUS (Chinese)
"The Gender Politics in Kurosawa Kiyoshi's Wife of a Spy"—World Screen (Chinese:Hard-Copy)
2019:
"Returning to the animalhood----on Mariko Tetsuya's From Miyamoto to You"—DEEPFOCUS (Chinese)
"Yamato Yuki's Gimmick is the Antidote of Japanese shojo manga cinema----on Yamato Yuki's Hot Gimmick: Girl meets Boy"
—DEEPFOCUS (Chinese)
"A Post-modern Rebellion----on Ninomiya Ken's Chiwawa"—DEEPFOCUS (Chinese)
Translations
2021:
"The Tokyo International Film Festival and Chinese Film Industry"—authored by Ishizaka kenji in Chinese Independent Cinema Observer issue No.1(Chinese)
"The Osaka Asian Film Festival Has Witnessed Chinese Cinema's Change and Diversification"—authored by Teruoka Sozo in Chinese Independent Cinema Observer issue No.1(Chinese)
"Chinese Independent Cinema and The Tokyo FILMeX International Film Festival"—authored by Ichiyama Shozo in Chinese Independent Cinema Observer issue No.1(Chinese)
2020:
"Sprinting and the End: Talking with Hara Kazuo on Minamata Mandala and else"—authored by Wang Muyan in The Paper: Sixiangshichang (Chinese)
Methy
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